Mike's musings

Postmodernity

(backposting) A large part of the week's work is to be engaging with issues of postmodernity in its various flavours, so Ian and Richard started us off with general descriptions of the (alleged, in Richard's case) state of postmodernity. Richard is very eloquent, and refuses to believe that there's any such thing, despite taking many intellectual positions which are hard to imagine being possible in a non-postmodern world. It doesn't help that he tends to argue against what he sees as postmodernity: as a completely pluralist, non-critical academic movement, which believes in a clean break between the modern (then) and postmodern (now), despite this being almost the exact opposite of how most people with a postmodern bent would describe it. Heigh-ho. I refused to get too drawn in...

In the afternoon, another Ian, this time for the Moot community, gave us a very interesting talk on Fresh Expressions of church, and how they relate to our current (overwhelmingly consumerist) society. He made the point that we should really be talking more, and preaching more, about the dangers of consumerism as a creed, which I have to say resonated with me strongly. In the afternoon, Cathy led us in a discussion of high and popular culture. Although it didn't grip me, we came up with some important points, and it's to be a theme of the rest of the week.

The evening held clips (one clip from the body of the film, then crucifixion and lead-up) from three films about Jesus - or not. They were:

• The Gospel according to St Matthew (English title), by Pasolini
• Mel Gibson's The Passion of the Christ
• Monty Python's Life of Brian

Although I know the third, I'd never seen any of the others, and they were certainly thought-provoking (though I'm unconvinced that either Jesus or Pontius Pilate spoke Latin with a modern Italinate accent...). I'm glad to say that we didn't watched the 7 minute scourging scene from the Gibson version, which is supposed to be extremely harrowing.

We started singing today: a piece of Christopher Tye, which went pretty well for a first off, though the tuning was shocking. That'll fix itself as people get more happy with the notes, I think. We had a good mix of singers, including some new faces to the group, which was excellent.

Also started singing some madrigals - hope to do them at the Review.

Labels: ERMC, films, music, postmodernity, singing